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Movie Info


Gene Siskel(Chicago Tribune): On overplus, Ghostbusters is a hoot. It's Murray's representation, and in a triumph of remembrance over matter, he blows away the film's boring special effects through his one-liners.
Richard Schickel(TIME Magazine): Whoever contemplation of having evil's eventual manifestation take the form of a 100-ft. marshmallow deserves the rational intellect's eternal gratitude.
Variety Staff(Variety): Only intermittently stirring.
Dave Kehr(Chicago Reader): Essentially a $30 a thousand thousand version of Abbott and Costello Meet the Mummy except not at all a bad time, expressions of gratitude mainly to Bill Murray's incredibly plain line readings and director Ivan Reitman's victuals of a moderately coherent tone and plotline.
Tom Huddleston(Time Out): The hi~ of a trio of incompetent 'experts' in the paranormal (Murray, Aykroyd and Ramis), who adorn up as ghostbusters after they are canned from their guild sinecures, is less cynical a structure than it sounds.
Roger Ebert(Chicago Sun-Times): This movie is ~y exception to the general rule that full special effects can wreck a comedy.
Patrick Gibbs(Daily Telegraph): A fantasy, if it be not that with no touches of reality at totality, to be enjoyed for its buffoon humour typical of the "National Lampoon" drill from which several of its contributors are drawn.
Rob Vaux( Ghostbusters thrives ~ward the fine line between taking it every part of seriously enough to be scary, for this reason poking fun at it in the greatest part creative ways possible.
Austin Kennedy(Film Geek Central): GHOSTBUSTERS is a movie that I've seen well transversely a hundred times and I'm motionless not sick of it, nor carry into practice I think I ever will. It's every iconic comedy that I think has held up highly well over the past 30 years.
Josh Larsen(LarsenOnFilm): If notwithstanding nothing else, deserves to be fondly remembered towards bringing the Stay Puft Marshmallow Man into the cosmos.
Felix Vasquez Jr.(Cinema Crazed): An exciting and gayety genre hybrid rarely mastered.
Peter Travers(People Magazine): Director Ivan Reitman keeps the Aykroyd-Ramis screenplay zipping seemly along, creating something like Abbott & Costello Meet the Exorcist. Aykroyd and Murray go the perfect summer tonic for raising spirit.
David Sterritt(Christian Science Monitor): In the two the funny and the (mildly) scary moments, the compute does itself proud.
Michael A. Smith(MediaMikes): "Ghostbusters" is a gayety romp with a couple of comedy's greatest stars at the take the ~ off of their game.
Ben Rawson-Jones(Digital Spy): As comical, spooky and marvellous as ever.
Derek Malcolm(This is London): It provoked very large box-office success in 1984 and is di~atory director Ivan Reitman's defining movie.
Andrew Lowry(Total Film): The leads' chemistry is towards, well, spooky, Dan Aykroyd's nerdy ardor rubbing deliciously against a persona-perfecting proclivity from Bill Murray – and there's strange to say the odd surprise.
John Ferguson(Radio Times): The frequently dazzling, special effects-driven slapstick tends to hover over the fact that there are some slyer, more sophisticated laughs on present in this blockbusting family comedy.
Andrew Pulver(Guardian): What's not to like?
Alex Orner(Common Sense Media): Paranormal merriment for tweens and up; some scares.
Tim Brayton(Antagony & Ecstasy): A comedy rudimentary, a horror film second… but a auspicious enough hybrid of those things that it would subsist wrong to try to limit it generically.
Eric Henderson(Slant Magazine): The movie's catch of a buckle-in-cheek (and pre-subprime) sarcasm of surging capitalist hubris is scarcely mitigated by the necessary fairy-tale ending.
Daniel Etherington(Film4): Stuffed by wisecracking, punning and essential deadpanning care of the film's most notable star actor Murray (who has such delivery downward as a fine art), the pellicle also packs in a half-delicate narrative.
Rory L. Aronsky(Screen It!): See website according to more details.

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