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Archives

Trailer Park Boys: Don’t Legalize It

Friday, August 22nd, 2014 02:08

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Jealousy

Monday, August 18th, 2014 08:08

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Reviews:
A.O. Scott(New York Times): In a concise 77 minutes, "Jealousy" provides a uncommonly full – and also an intriguingly incomplete – portrait of a group of struggling artists while no-longer-entirely-young men and women.
Joe Neumaier(New York Daily News): Quiet moments hind big decisions are where the faculty lies in this absorbing French spectacle.
Ignatiy Vishnevetsky(AV Club): Philippe Garrel's movies feel like soul stories: delicate, enigmatic, and haunted ~ dint of. some indelible, unnameable presence, which a viewer be possible to't help but suspect is the instructor's own past.
Farran Smith Nehme(New York Post): "Jealousy" has a meek melancholy that's very acceptable.
Alan Scherstuhl(Village Voice): Vital and powerful even when its characters feel scraped of health/vitality, Philippe Garrel's latest finds boho Parisians facing the ends of marriages, public business, and the feasibility of bohemian entity itself.
Keith Uhlich(Time Out New York): In comparative estimate with near-impenetrable Garrel efforts like Regular Lovers (2005) and Frontier of the Dawn (2008), Jealousy cuts undeviating to the heart.
David Noh(Film Journal International): We've seen it wholly before, too many times, in Paris, in dark-and-white or color: This minute adds nothing to an already overstocked genre.
Godfrey Cheshire(RogerEbert.com): "Jealousy" is the good-natured of slight, academic, self-satisfied drill that preaches only to the converted.
Mike D’Angelo(The Dissolve): All the identical, there are many pleasures in Jealousy, that runs a brisk 77 minutes and trades besides in wispy, glancing observations than in melodramatic confrontations.
Harvey S. Karten(Compuserve): A gratifying enough look at how a mirthful-go-roundelay leads three people to possess fits of jealousy.
Trevor Johnston(Radio Times): Chic now exasperating, it's somehow quintessentially French – suitable not in a good way.
Leslie Felperin(Guardian): It's certainly of the atmosphere and cool in a new-New Wave fashion, but really, what's the cape?
Nigel Andrews(Financial Times): The outline is patchy; later scenes search during the term of a purpose. But there are searing truths too.
Laura Clifford(Reeling Reviews): director Philippe Garrel ("Regular Lovers") uses his uber-brooder son Louis for the re~on that the pivot for a typically French carousel of morphing wildly picturesque relationships.
Nick McCarthy(Slant Magazine): Due to its rather pure and unburdened perspective of network relations, it's a plausibly palm and fingers-me-down portrait accessed from the grade of view of a young nursling.


Weaving The Past: Journey Of Discovery

Monday, August 18th, 2014 07:08

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Reviews:
Gary Goldstein(Los Angeles Times): [A] moving, exhaustive tribute.


Mission Blue

Monday, August 18th, 2014 07:08

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Reviews:
Martin Tsai(Los Angeles Times): Though "Mission Blue" gets its designation from Earle's nonprofit organism, the film rarely comes across while propaganda.


Us And The Game Industry

Monday, August 11th, 2014 07:08

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Reviews:
Gary Goldstein(Los Angeles Times): The thin skin takes such an emotionally based, non-wonky approach to its featured business, it should devour gamers and non-gamers alike.

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The Static Prophet

Sunday, August 10th, 2014 07:08

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About Alex

Monday, August 4th, 2014 17:08

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Reviews:
David Lee Dallas(Slant Magazine): However self-sensible the film may be, its characters and moods and conflicts are moreover over-determined and familiar to lag in the memory very long hind the credits roll.
Roger Moore(McClatchy-Tribune News Service): A "Big Chill" knockoff that's occasionally funny, never deep.
Clayton Davis(AwardsCircuit.com): About Alex is a immature and beautiful morality piece about to what the late twenty-somethings are soon. I loved nearly every second.
Gabe Toro(The Playlist): About Alex is around too much and too little, a sandbox notwithstanding its considerable cast, but ultimately straightforward following the reunion rulebook. Expect some other one of these in five years or likewise.
Jon Lyus(HeyUGuys): Writer/director Jesse Zwick shows pledge, and as a first feature, the pellicle is impressive, but it's not probable to stay with you after the credits sc~.

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Chelsea’s Light

Friday, August 1st, 2014 07:08

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The Third One (El tercero)

Tuesday, July 29th, 2014 07:07

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The Divine Move

Monday, July 28th, 2014 07:07

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Reviews:
David Noh(Film Journal International): Excessive impetuosity and off-the-wall plotting mine an intriguing game-based premise.

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